Kateřina Valachová

KATEŘINA
VALACHOVÁ

Intermedia artist

Installation  ·  Immersive data  ·  Cross-cultural research

Kateřina Valachová Photo: Yuliya Povetkina, Kamila Turlubekova
About

Kateřina Valachová is an intermedia artist working at the intersection of installation practice, digital media, and cross-cultural inquiry. Her work explores the relationship between individuals and their environments through immersive experiences that make perceptible the processes operating beneath the threshold of everyday attention.

Drawing on both Eastern and Western frameworks of thought, she uses cultural difference as a tool for perception. Her practice spans site-specific projection, geospatial data pipelines, light art, and participatory installation.

She is completing her master's studies in Time-Based Media at Jan Evangelista Purkyně University, Czech Republic. Her thesis research applies East Asian geomancy as a perceptual framework for sensing environmental change — borrowing a centuries-old way of reading landscape to address what contemporary data alone cannot transmit.

Education
MA Time-Based Media
UJEP, Czech Republic
Erasmus+ — Moholy-Nagy University of Art and Design, Budapest
Free Mover — Peter Behrens School of Arts, Düsseldorf
BA Interactive Media Arts & Business
New York University Shanghai
Research
East Asian geomancy · Environmental perception · Human & more-than-human ecologies
Shengqi: Confluence of the Labe and Vltava — installation view Photo: Yuliya Povetkina, Kamila Turlubekova
Work
Selected
Title
Shengqi: Confluence of the Labe and Vltava
Master's thesis installation, 2026
Technique & dimensions
Laser projection on painted canvas
Environmental data of the Labe-Vltava confluence · 200 × 500 cm

Shengqi — vital energy in the East Asian geomantic tradition — is that which nourishes the land and everything within it. It gathers where wind is sheltered, water collects, and terrain encloses. Where those conditions fail, it withdraws.

Western thought has the data — species, coastlines, rain. It has no language for what is withdrawing: the felt quality of a place that draws life toward it, sustains it, and, under shifting conditions, ceases to hold. We know the data. We do not feel it.

This work makes that data perceptible: one place through its own wind, water, and terrain — what was, what is, what may no longer gather.

What remains is the question of what it means to stand inside something that is still, for now, alive.
Exhibitions
2025 And You, Can You See Them? C. Rockefeller Center for Contemporary Art, Dresden
2025 Inner Side of the Wind Peter Behrens School of Arts, Düsseldorf
2024 Skrz prsty Galerie Rampa, Ústí nad Labem
Design Ústí